
When fifteen year old Milla (Eliza Scanlon) is waiting at the train station on her way to school she finds herself whisked off her feet by Moses (Toby Wallace). The fact that he is a drug dealer and addict mortifies her parents Anna (Essie Davis) and Henry (Ben Mendelsohn) but given she has terminal cancer and they want her to be happy they persevere.
Babyteeth is a beautiful heart rending film that is so much more than the “teenager who finds love before they die” trope that it could have been in the wrong hands. With feature film debuts for writer Rita Kalnejais and director Shannon Murphy it also marks out some special talent behind the camera to watch.
The story itself focuses on Milla and her mum and dad. Each character is delicately drawn out with their own hopes, fears and pressures that consume them at this time. The performances from each actor are also startlingly good. Essie Davis who was also in the excellent True History Of The Kelly Gang this year plays a highly medicated mother who feels so guilty about her past career as a pianist she does not want to play for fear it interrupts her daughters wellbeing. Ben Mendelsohn so often cast as the Hollywood villain in the likes of Ready Player One and Robin Hood (2018) is able to really show off how great an actor he is as the psychiatrist father willing to house a drug addict to make his daughter happy. Whilst Eliza Scanlen who was seen recently in one of the films of 2019 Little Women (2019) puts in a performance that surely marks her as an up and coming actress to watch.
The film features moments of reflection with beautiful photography, moments of joy most notably with music, both classical and contemporary as accompaniment and of course moments of extreme sadness.
A film worth visiting the cinema for right now.

I have to disagree with you on this one Phil. The intention of making a movie about a person potentially dying of cancer and not going the soap opera route is an interesting one. Indeed the almost vignette construction of much of the film has some memorable scenes such as the wig swapping sequence in the school. However as most of the time we are with narcissistic drug addicted upper middle class characters who need to get their home security sorted, meaning there is no one to identify with. And don’t get me started on the drug addicted waster character. Ultimately though the film has to conform to the norm of this genre and that is when it improves. The last ten minutes are undeniably powerful if a little depressing. But then again, I guess going to watch a film about a person dying of a disease in the middle of a pandemic wasn’t the smartest decision I made today
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Haha, we haven’t agreed on a lot lately have we Jeff!
I am sure we will manage one film this year.
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